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madfilkentist: Moon image from Méliès's "Trip to the Moon" (moon)
Tomorrow evening at 8 PM EDT, on my Twitch channel, I'll provide live accompaniment for the 1925 silent film The Lost World, preceded by the early animated film Gertie the Dinosaur. Come for the dinosaurs and stay for the music! Or maybe it's the other way around.
madfilkentist: Selection from Rembrant's etching called Faust in His Study (Faust)
On January 10, 2024, at 8 PM EST, I'll present two short silent films with live keyboard accompaniment over Zoom. Details are in my blog post; I'll make the Zoom link available later. Guest participation will be heavily restricted, making it safe to share the link.

I've had fun doing silent movies at the library, and the people who have gone say good things about my accompaniment. This is a way to reach more of an audience. Edison Studios' Frankenstein and Méliès's The Impossible Voyage are interesting films. Charles Ogle played the Monster two decades before Karloff, and the Méliès movie tops his A Trip to the Moon with a train ride to the Sun!
madfilkentist: (Mokka Librarian)
This evening I did something I can't recall ever doing before in my life: I went to a drive-in movie. It was sponsored by the local library; the movie was The Princess Bride. They had a local FM transmitter so we could get the sound on our car radios, in addition to having it on speakers. The speakers were far enough to be audibly out of sync with the FM, but by keeping the car windows closed and the volume moderately high, I heard it only through the radio.

The movie has a new best line:

Fezzik: Why do you wear a mask? Were you burned by acid, or something like that?

Westley: Oh no. It’s just that they’re terribly comfortable. I think everyone will be wearing them in the future.
madfilkentist: Photo of Carl (Carl)
SPOILER ALERT: This post talks about many aspects of the novel and the movies.

The more you love a book, the less possible it is for a movie adaptation to satisfy you. The Atlas Shrugged movie trilogy, which I just finished watching, had an impossible challenge to face as far as my reaction was concerned. Still, it wasn't terrible, and it had some effective parts.

It didn't help that the series was produced on a shoestring. Each movie had a different cast, with actors who usually didn't look at all like each other. Often they didn't get the spirit of the characters right. I'll give points to all three Dagny Taggarts. I'd heard negative things about the casting of John Galt, but I didn't find him bad.

The movies stayed closer to the book than many other adaptations of famous novels (e.g., Peter Jackson's treatments of Tolkien). A lot of omission was necessary, even with three movies. In general, the broader philosophical dimensions were lost to the political and business stories. Galt's speech wasn't much more than five minutes long, but obviously you can't put a three-hour speech into a movie. The date was changed from November 22 to November 23, probably because of the connotations of the former since 1963.

The portrayal of Galt's Gulch in the third movie worked well. Also, its start redid the scene which the second movie ended with and restored it to something closer to Rand's intention. There was a very nice touch right at the end; after New York City went into a blackout, the lights on the Statue of Liberty were still shining.

I could give a long list of complaints. The movies mostly missed the impact of the most memorable scenes in the book. Rearden almost completely vanished from the third movie. There shouldn't have been commentators debating Galt's speech; it was clear in the book that general censorship was in effect by then. But I prefer to dwell mostly on the positives.

If you haven't read the book, read it first.
madfilkentist: Photo of Carl (Carl)
Carl had his first appointment with the new vet. He behaved very well. The doctor said she'd have taken him for 11 or 12, even though he's 16 or 17. He's in good shape for his age, apart from being overweight, deaf, and in need of dental work. I've scheduled an appointment to take care of the last one.

When I came home, my mailbox had two DVDs I'd ordered from Oldies.com. One is 1001 Arabian Nights, with Mr. Magoo as Aladdin's uncle. I recall seeing it four times as a child; we'll see whether I still like it as much. The other one is Love Letters with Jennifer Jones and Joseph Cotten. The screenplay is by Ayn Rand. It doesn't deal with the big issues of her novels, but the style is undeniably hers. She held that deception always leads to bad outcomes even when it's well meant, and the movie puts her own twist on the Cyrano story. I have it somewhere on a VHS tape but haven't watched it in years.
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Yesterday I watched Fantastic Beasts: The Crimes of Grindelwald and was completely confused by the ending. Just now I found that the people running dedicated fan sites are equally confused. That makes me feel better about myself, though not about the movie. At least it was a library disc, so I didn't spend any money on it.
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Yesterday I came upon a very old Disney cartoon, called Farmyard Symphony, on YouTube. It has no plot, but it's a "name that tune" of classical melodies. They're changed in orchestration and sometimes tempo, making them trickier to spot. Here's what I was able to identify:

Beethoven: Pastoral Symphony (3rd movement)
Nikolai: Overture to "The Merry Wives of Windsor" (I think)
Rossini: Overture to "William Tell" (including the opening section, which is the least used in cartoons)
Rossini: Overture to "The Barber of Seville"
Mendelssohn: Spring Song
The Campbells Are Coming
Rossini: Overture to "Semiramide" (somebody there really liked Rossini!)
Verdi: La Donna e Mobile (ironically used for a courting song)
Rossini: Overture to "William Tell" (yet another part)
Liszt: Hungarian Rhapsody No. 2
Wagner: Overture to "Tannhäuser"

There were some other tunes I knew but couldn't place, and some that sounded like classical tunes which I couldn't recognize, so this list is incomplete. All that in an 8-minute cartoon!


On another subject: I recently watched "The Revenge of Dr. X" from the Mad Scientist collection I got a few months ago. There's no one called "Dr. X" in it, nor any doctor with an unknown name, nor any revenge theme. The movie is also known as "Venus Flytrap." It's about a NASA rocket scientist who goes to Japan to create an ambulatory, puppy-eating monster plant in order to prove that humans are descended from plants. There's a hunchback who plays the organ but apparently knows only the opening measures of Bach's Toccata in D minor (an obligatory music skill for anyone who works with mad scientists).

Wikipedia says it's based on an earlier screenplay by Ed Wood, which would explain a lot.

Solo

Apr. 13th, 2019 02:09 pm
madfilkentist: (Mokka Librarian)
Yesterday I finally saw Solo. It was OK, if rather predictable. Its explanation of "the Kessel run in 12 parsecs" was nice.

It left me puzzled over Chewbacca's name, though. The Wookiee vocal apparatus apparently can produce vowels and gutturals, but not the consonants that we produce with the lips and tongue. Chewbacca gave his name, which Han repeated back as "Chewbacca," but it didn't sound anything like that. It would have worked better if Han had said, "I can't say what you just said. Is 'Chewbacca' close enough?"
madfilkentist: Photo of myself by the Rhine river. (Rhine)
Yesterday I went looking for the 1933 King Kong on YouTube and found one that turned out to be dubbed in German. Well, why not?

But the translation of the famous closing line was feeble: "Er hat das Mädel zu sehr geliebt."
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I just got a box of DVDs with 50 mad scientist movies in the mail from Oldies.com.

If you don't hear anything from me for the next two weeks, come and pry me away before it's too late. :)
madfilkentist: (Default)
Looking through the movies on Kanopy, I found an adaptation of Wagner's "Der fliegende Holländer." In a lot of ways, I like it better than his later operas. It doesn't drag on for hours (though I think the movie did some cutting anyway), and it doesn't include gods or dwarves. OK, it does include undead sailors, but they're NPCs.

It does have characteristically Wagnerian themes, including a lot of his favorite word, "Tod" (death). You don't want to be a lover in a Wagner opera. Your chances of getting out alive are low.

The movie was very nicely done up to the last two minutes, when it tacked on a totally gratuitous it-was-all-a-dream ending. Oh, well.
madfilkentist: (Default)
A nearby library asked me to help test their trial run with Kanopy, a streaming movie service. It has a much better selection of old movies than Netflix. It even has some German-language movies.

One of the movies I've watched is Buster Keaton's The General. It's an excellent movie, though it's a bit difficult to deal with today, since it presents a viewpoint sympathetic to the Confederacy. It's not in the same category as Birth of a Nation, which is aggressively anti-black and pro-KKK. It reminds us that for many Southerners, fighting for the Confederacy was mainly a matter of defending their homeland.

The eponymous General isn't a military officer but a locomotive. Half the movie is train chases. Occasionally the matting is obvious, but the production values are remarkable for 1926. The collapse of a burning bridge as a train tries to cross it is impressive. Update: According to Roger Ebert, this scene was shot not with a miniature, but with a real locomotive!

Keaton's character is on the wrong side and makes some amusing flubs, but he always recovers from them, and he's competent and dedicated. So many comedies today assume that to be funny, a character has to be inept or dishonest.
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Yesterday I accompanied the 1902 silent movie "Le Voyage Dans la Lune" to an audience of 8 or 9 at the Plaistow Library. That's a bigger crowd than I got for "Phantom of the Opera" in Kingston, anyway! The people who came liked the job I did.

This was followed by what I thought was supposed to be Orson Welles' 1938 radio version of "War of the Worlds." Actually, only about the first 20 minutes was played, up to where the Martians wipe out the news crew at Grover's Mill. Then the program went to a documentary on the alleged panic broadcast. I'd call it more of a mockumentary. It claimed millions of people panicked and telephone switchboards were swamped. This is contrary to most of the informed current views, which hold that there were only a small number of people who believed the broadcast and acted on it.

That doesn't prove it's wrong, of course, but it made a poor case. It included numerous interviews with people describing their reactions. They would have had to be recorded a long time ago, since in some cases the people interviewed were fairly young. It was only at the end that the presentation revealed these were actors reciting statements that other people had made years ago. There was a lack of reports from law enforcement and emergency agencies, which should have been available wherever there were widespread reactions.

The documentary mentioned a town in Washington where a power failure during the broadcast motivated many people to flee. A local account suggests it wasn't that big a deal. It may have been just one woman running out of her house and screaming.

I pointed out the errors as best I could. Everyone had a good time anyway.
madfilkentist: (Default)
I've been reading a bit about the movie Christopher Robin, and it's got me convinced it's a movie I would find extremely disturbing to watch. In real life, Christopher Robin Milne fought all his life against being regarded as a character in his father's children's book. In the movie, as far as I can tell from the summaries and reviews, the Pooh characters drag him back into being just that.

I have personal reasons for finding a trapped-in-childhood scenario terrifying, and I'd most likely flee from the theater in a panic if somehow I was persuaded to watch it.

Comments disabled. I'd prefer not to discuss this, at least not in a public forum.
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Star Wars VII and VIII tell us that the First Order has a tighter grip on the galaxy than the Empire ever did. At first I thought this indicated an abject failure on the Rebel Alliance's part, but on further thought, the failure isn't very surprising.

The Empire would have had a local government on every planet it controlled, commanding an armed force strong enough to discourage uprisings. The destruction of Death Star II and the death of Palpatine was a deadly blow to the organization of the Empire, but the local governments would mostly have stayed in power. The events might have encouraged some rebellions, a "Galactic Spring," but it's plausible that the large majority would have been suppressed.

When the Soviet Bloc collapsed, people could drive across the border. That's not an option with planets.

There would have been a period of disorder on the galactic scale, but not many planets would be freed. Then a new group put itself together from the pieces of the Empire and called itself the First Order. It had the resources to convince local dictators joining up was advantageous. In a short time, the worlds were back where they'd been, with just a change of names.

Liberating a galaxy is hard.
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The Last Jedi was considerably better than I expected it to be. It had the elements of strong character and tragedy which had been seriously lacking since the original trilogy. There were lots of points that didn't quite make sense to me; I'm not sure if they're plot holes or I just wasn't paying enough attention. But that's standard for any Star Wars movie.
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I really want to see The Incredibles 2, but I don't much like the movie theater experience. Maybe I'll wait a couple of weeks and then catch an early afternoon showing.

A character named "Evil Endeavor"? Is that subtly telegraphing something with a sledgehammer? (Don't tell me!)
madfilkentist: The Catmobile at Merrimack River Feline Rescue Society (Catmobile)
The audience was very small for yesterday's silent movie, but I had fun and so did the people who showed up. Scott from the Plaistow Library didn't make it because he was sick yesterday, but I talked with him today, and he's still interested in having me accompany another movie there. I've ordered a batch of silent DVDs from Alpha Video which I'm waiting for.

Today the shelter had more black cats. I'm starting to think its slogan should be #BlackCatsMatter. Kellogg is very hard to spot against his black shelf. There was a new black kitten who was very frightened and wasn't eating.

Dewey DecimalDewey Decimal was acting as receptionist all morning, sitting on the front desk and enjoying attention. I made several attempts to get a picture of him without much success, then Virginia grabbed the camera from me and got this picture while I tried several tricks to get D.D. to look at the camera.

Another cat, named Old Tom, was just sitting and moping. I put a dish of tuna under his nose, and he showed no interest in it, though Beck and Petit Manan were trying to get into his cage to take it from him. Old Tom isn't old; he's 3 years old according to his card in the shelter and 5 according to the website. It seems like a poor choice of name to get the cat adopted.

The yard sale has been rescheduled for Saturday the 9th. The weather report says we should have warm weather and some sun, with no rain till the afternoon.
madfilkentist: (Default)
The music for Phantom of the Opera is coming along nicely. The big scene is the unmasking of the Phantom. His appearance isn't too shocking compared with what routinely appears in today's zombie movies, but several things make it work: the camera work, the acting, and of course suitably horrifying music. I've been working especially hard on that part.

I set myself a couple of rules for that music:
  1. Make little or no use of diminished seventh chords.
  2. NO CHROMATIC SCALES!!

The scene is one where the Phantom has just been playing the organ, so I'll be using the organ sound. That helps. I'll let myself go overboard just a bit with dissonance (minor ninths) for the unmasking.

It will work nicely, I think.
madfilkentist: (Default)
Today I was working in the Plaistow Library. I saw a DVD of Phantom of the Opera (the musical) on sale for a dollar, so I picked it up. While buying it, I mentioned that I'll be accompanying the silent version of Phantom in Kingston on June 5 (plug every chance you get!). She was more interested than I expected, and she called to the assistant director for adult programming.

It turned out that they had been talking about running silent movies just today. I talked with him for a bit. We didn't make any definite plans, but he sounded interesting, even asking how much of an honorarium I'd charge. (I told him, "A tip jar.")

This could start to get interesting.

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